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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Mar 22, 2018
  • 2 min read

Updated: Dec 14, 2020

As I write this, I’m in the middle of negotiations to write another screenplay for the company that optioned and produced Running Away. This time I’m having an attorney look at the contract.

She immediately warned me that the company is known for making movies “down and dirty” as cheap as possible, and that while she could read the contract and give me advice, she couldn’t negotiate for me because the only union they deal with is SAG. However, they do produce and sell a lot of movies.

She advised me to think about whether I want to focus on the short or long term before hiring her to analyze the contract.

Well, she didn’t tell me anything I hadn’t figured out already. I know the contract they’ve offered is not reasonable by WGA standards. She’s looking over the contract.

But I did stop to consider her point: Will working for this company work against me in the long run?

Does it mean I’m a hack incapable of writing quality scripts? No. It means I want the validation of being paid for writing, even if it’s not the best pay.

Will other people decide it means I’m a hack incapable of writing quality scripts? Maybe, but if they take a closer look, they’ll see some benefits:

  1. It shows I’m not a prima donna – I understand the final product is a collaborative effort and my words are not sacrosanct.

  2. It shows I can get rewrites done and back in a timely fashion – or they wouldn’t ask me to do a second script.

I also consider it an opportunity to practice my craft and improve on it:

  1. I’ll analyze each script against the movie to learn more about what works – as I already have done here with Running Away.

  2. I’ll be practicing writing for a specific audience, which is a good exercise for any writer.

So, while accepting this contract may work against me somewhere along the line, I believe I can sell it as a positive growth experience if I do a few more movies for this company.


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Sheri McGuinn at Gold Country Writers Six-Author Event! Official release.

Event date: Sunday, March 25, 2018 – 1:00pm to 4:00pm Event address: FACE IN A BOOK, 4359 Town Center Blvd #113, El Dorado Hills, CA 95762

 
 
 
  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Mar 15, 2018
  • 2 min read

Updated: Dec 14, 2020

I believe all writing is good practice for a writer.

While my kids were growing up, I put aside “being a writer” for day jobs. However, many of those day jobs involved writing. For example, I’ve written stacks of court reports. Did that build any skills for my fiction writing? Absolutely.

  1. I had to interview people and present their position accurately – to do that I listened carefully and checked for understanding. Even the few villains I encountered had what they believed were good reasons for their actions. So I avoid cardboard characters in my fiction. I know each of my characters from the inside out. Each has a distinct voice.

  2. I had to pay attention to details. Small details, buried amidst non-essential information, often clarified an issue or sequence of events. The same holds true in fiction – the details often decide the course of events.

  3. I had to take the facts I’d gathered and present them in a logical order that helped the judge make sense of the situation – which was often quite complicated. The same skill is necessary in fiction. If you confuse the reader by putting a conclusion before the facts that lead to it, you will probably lose them altogether.

  4. I couldn’t include every single piece of information I collected. I had to decide which facts were necessary and which were superfluous. When writing fiction, I always know more backstory than my readers – they’d be bored if I included all of it. I have to choose what they need to know when. It’s the same skill, repurposed.

  5. I also had to decide when to quote an interviewed person directly and when to paraphrase. When writing fiction, I need to decide where to describe interactions and where to use dialogue. The elements that make each effective are remarkably similar whether a court report or a novel.

What about jobs that don’t involve much writing? It’s all experience. Most writers have had a series of jobs before they start making a living (or at least part of one) writing.

If you find a complete job history of an author and then read all of that author’s work, you will probably find characters and settings that use non-writing jobs.

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Sheri McGuinn at Gold Country Writers Six-Author Event! Official release.

Event date: Sunday, March 25, 2018 – 1:00pm to 4:00pm Event address: FACE IN A BOOK, 4359 Town Center Blvd #113, El Dorado Hills, CA 95762

 
 
 
  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Mar 8, 2018
  • 3 min read

Updated: Dec 13, 2020

At sixteen my plan was to spend my senior year of high school as an exchange student, then go to Northwestern for journalism and become an international reporter. I’d make the world a better place and have adventures at the same time. I was on that road. I was editor of my school paper and studying both French and Spanish. I joined AFS and met exchange students from all over the world. I brought home the application.

But my mother had been a stay-at-home mom for almost forty years and she wasn’t ready for an empty nest, so she insisted I could wait and go abroad while I was in college. That last year of high school, there were few academic courses left for me to take. Instead, my interest in art, music, and drama, which had been largely dormant for two years, came back full force. I never even applied to Northwestern.

The killings at Kent State, a month before my high school graduation, did nothing to change my mind. The paranoia of the day seeped into me. Publication of the Pentagon Papers could have inspired a renewal of my interest in journalism, but instead the content increased my detachment from world events. Then Watergate filled the television and my first choice for president was a crook or the man he’d made look like a buffoon. I did a write-in vote for “No Body” and wanted nothing to do with any of it.

I just wanted to live my life.

It’s a good way to live, focused on immediate surroundings, the things where you may make a real difference in lives, one at a time, or one small community at a time. And that is one way to change the world without taking on the big issues.

Looking back, there have been many other roads not taken, some of which might have brought me back closer to my original intent. It’s okay I didn’t take those roads. There have been rough spots, but overall, life has been full and interesting and right now it’s really good. I’m writing fiction full of strong women, providing good role models. . .but, every so often, I wonder if I’m playing hooky from another destiny.

A few weeks ago, I bought the January 15, 2018 Time because it was supposed to be a good news edition, edited by Bill Gates. This morning it got to the top of the reading pile. In it, there’s an article by Melinda Gates about how women’s movements around the world are bringing about significant changes not just for the betterment of women, but for society as a whole. She advocates for an increase in financial support for grassroots women’s organizations and women’s funds.

The article makes me feel as if there’s more I need to do.

It could be a diversion from projects already in place, to avoid completion. I need to guard against that temptation. But I suspect the road I’m on is curving and will eventually intersect with the one not taken long ago.

Update 12/13/2020 When I wrote this blog, I was working on a novel that used many of the locales of my life as the character went through many life changes. However, the character had taken over the story and her life was much more dramatic than mine. I definitely let that project be diverted many times, but it's finally published: Peg's Story: Detours

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