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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Oct 4, 2018
  • 2 min read

Updated: Dec 13, 2020

Benny swallowed the end of his drink and looked at his last chip, a dollar.

It was all set up to favor the house. Benny knew that. He’d known it from the first time he went to a casino, but still, he couldn’t stop until his pocket was empty. There was a slot machine near the exit just waiting for this chip.

Even the time he hit the big jackpot, big enough to buy a new truck, maybe even one of those new little houses on the edge of town that his girl always talked about, he’d kept on playing until his stake was completely gone. That’s what he called it—his stake. That made him feel like one of the pros, the serious poker players in the big money games held privately in the back room. But Benny never took more than one day’s pay. However much he was earning, that was his limit.

Of course, he’d made that rule when he had a good full time job. This week, he’d only worked two days, helping an old lady fix a bunch of stuff on her house so she could sell it. He and George had really dragged their heels to make the job last. She was only paying them minimum. They used to make four, five times that with overtime.

Not anymore.

One day’s pay had gone for new socks, thrift store shoes and shirts, and groceries they never had at the food bank. He’d come to the casino with the rest, and he’d managed to make it last a good while – building it up, then losing some, building it up again. Until he ended up with nothing but this dollar chip. Since then he’d been watching other people play while he finished his drink.

Back in the day, he could say the free drinks paid for anything he lost. But he didn’t drink much anymore. He wasn’t AA or born-again; he hadn’t even tried to quit. It had come on him gradually, until one night last July he’d headed home and realized he’d nursed one whiskey the whole evening. Even when the company folded and his girl dumped him, all in one week, he didn’t crawl into a bottle like some of his buddies.

Benny scanned the casino, all the people absorbed by machines or tensed over tables. The drink girl came up and offered him a refill.

“No,” he said. He paused and stared at her as if she were an alien life form. “No, I’m done. Thank you.”

She moved on to the next customer.

Benny cashed in his chip and tucked his dollar into his pocket.

He straightened his shoulders, smiled a half smile to himself, and gave the pocket with his dollar in it a pat. Satisfied, he took one last look around before leaving.

He wouldn’t be back.

Impressions is a series of character studies – short sketches to wet your appetite. If you’d like reading more about Benny, leave a comment.

Thanks.

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Jan 4, 2018
  • 2 min read

Updated: Dec 14, 2020

People always ask if the stories I write are about me. No, their stories are not mine.

But, yeah, #Me Too.

My fictional characters have more dramatic experiences than me, but Me Too. I was drugged and “taken advantage of” (as we mistakenly called it back then) in my dorm room. I’ve worked in what they now call a hostile work environment more than once. Actually, if you include annoying garbage like the boy behind me in Spanish continually trying to undo my bra, there are too many incidents to list.

As a writer, I use all of it to make my fiction come alive.

In Running Away, Peg marries the wrong guy. He molests her daughter Maggie, who runs away because she’s sure no one will believe her. She’s right. Her mother’s first reaction is denial. Why? Because the predator skillfully manipulated each of them to damage their formerly strong bond. Fortunately for Maggie, her mom’s denial doesn’t last long.

When Peg’s telling a co-worker how she wants to drop everything and go look for Maggie herself, she tells him she ran away at the same age and “My parents thought I was dead for ten years.” The novel is as much about the mother as the daughter. Peg’s been running away from her past all her life.

I didn’t convey that clearly to agents or editors, so I ended up self-publishing. When I sold the screenplay, I never got to talk with the director and with the addition of a few short scenes, he changed the mom’s backstory and made the villain obviously evil. While most of the script is still mine and Running Away is a good Lifetime movie, someday I hope to see it redone with my characters and the theme as intended.

Meanwhile, readers asked for Peg’s story and I’ve finally finished it. It starts while she’s an innocent teen, but it’s her “Me Too” story and the long way back to liking herself enough to be comfortable with all of her past.

Keep an eye out for it: Peg’s Story: Detours.

Contact

smcguinn@sherimcguinn.com

© 2025 Sheri McGuinn                                                                          

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