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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Dec 6, 2018
  • 3 min read

Updated: Dec 11, 2020

Novel Bites is a series of short stories from the perspective of secondary characters in my novels. Sometimes the story is straight from the novel, sometimes it’s not – this one is not. Maria’s husband is Joe in Running Away and Peg’s Story (soon to be released). Please comment. Thanks.

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“Peggy Sue, Peggy Sue” – Buddy Holly’s song haunts my husband.

Every time it plays, Joe’s gaze turns inward and saddens. I know he’s thinking of Peg, a girl he knew briefly as I planned flowers and music for our wedding.

It’s not what you think. It’s not that kind of connection between them. He was her white knight one sunny day when she most needed one. He rescued her, listened to her, soothed her with stories, and got her safely home – at least with no more damage.

Today, he would have talked her into going to the hospital, stood by her as she talked to police and pressed charges against the boys who so callously used her body. My Joe understands that body and mind and spirit cannot be separated, that what injures one injures all parts of the being. So when he hears that song and remembers, he blames himself for not knowing more than he did at the time, for not being more than he knew how to be.

Joe confessed to me, after his last visit to his brother in Canada, that he’d driven back to the place he dropped her off,  and asked a stranger raking leaves in a yard if a girl named Peg lived in that neighborhood.

The stranger pointed to a house. “She used to live there.”

She ran away and they were told she was swept away by the flood that ruined my wedding plans. Her loss was of course the more tragic event, but the wedding, moved from a riverside venue to a small chapel at the last minute, with a fraction of the guests able to attend, that is what marks the time for me. That she died here haunts my husband – he wonders if she came looking for him, hoping he could help her again, or perhaps still searching for deliverance from her trauma?

And this is why I have a secret from my partner in life. Not from any foolish jealousy. He treasures me – there’s no insecurity between us. No, I hold secret from him that which would only deepen his unreasonable sense that he failed this stranger somehow. It is a secret I share with his aunt. You see, the girl did come looking for my beloved.

She was thin and pale and impressed his aunt as old for her age. It had to have been her, though despite the circumstances in which they met, my husband admitted she was quite pretty with a figure that may have drawn unwanted attention. Auntie says the girl came only the one time, looking quite desperate, and quick to believe when told the Joe she sought was out of the country on his honeymoon. We agree he doesn’t need his guilt reinforced by that knowledge.

Since Auntie shared her story, I share my husband’s unreasonable guilt.

On our wedding day, the storm had passed and the waters had begun to recede, leaving their destruction behind. When we saw the state of the garden by the river, my mother suggested waiting a year for the venue to heal, but I didn’t want to abandon our honeymoon trip to Europe. When I shocked her by suggesting my virginity would not last another year and any wedding that late might be with a rounded belly in the gown, she helped me find the small chapel where my beloved and I exchanged our vows on the date we’d planned.

So you see, the girl was not swept away by the flood waters. She came looking for my Joe while we were on our honeymoon.

But believing she is dead must be easier for her family than always wondering what became of her. I know it would only haunt my husband more to know she may still be out there, still trying to put body, mind, and soul back together.

I know she haunts me.

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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Feb 15, 2018
  • 2 min read

Updated: Dec 14, 2020

My next novel, which will come out later this year, is Peg’s Story: In Search of Self. It’s the story of the mother in my first novel, Running Away. After that book came out, I wrote and sold the screenplay – the selling part took a few years. You may have seen the movie Running Away on Lifetime, and it’s been pirated to YouTube as well.

If you’ve read the book and watched the movie, you know that the movie did a great job with the suspense line but the backstory for the characters is different. That also means the dynamics between characters and the focus of the story changed.

The cover of the book and poster of the movie show the difference:

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The novel is about the relationship between mother and daughter and how a subtle predator manipulates both of them to the point where Maggie (the daughter) ends up running away. The emphasis is on the mother-daughter bond – that’s why the hands are reaching for each other on the novel’s cover. My original script stuck with that emphasis, as did the re-writes I did to make it more affordable to shoot.

I’m still the only screenwriter on the credits, however the director added short scenes, including some up front to establish the stepfather as a bad guy quickly. The filmmakers explained that was essential to hold the audience. With several short scenes, the director also added a story line making the stepfather evil beyond what he does to Maggie. As in the movie poster, he becomes the focal point.

Film is a collaborative medium and the final measure is always: Does it work?

  1. Whenever someone tells me they’ve seen the movie, their comments center on the creepy stepfather – no one talks about the girl or her mother. My central theme didn’t survive, but the film does grab people and hold their attention.

  2. I sold the script to a production company with a track record for producing and marketing films to television and computer movie markets. They sold the film successfully to French-speaking European television and then Lifetime. They knew their market.

So yeah, the film works. I got paid, got my credits at the beginning and end, and it’s added to my IMDb page. I’m happy.

Next week I’ll take a closer look at the film and how it compares to my screenplay.

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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Jan 4, 2018
  • 2 min read

Updated: Dec 14, 2020

People always ask if the stories I write are about me. No, their stories are not mine.

But, yeah, #Me Too.

My fictional characters have more dramatic experiences than me, but Me Too. I was drugged and “taken advantage of” (as we mistakenly called it back then) in my dorm room. I’ve worked in what they now call a hostile work environment more than once. Actually, if you include annoying garbage like the boy behind me in Spanish continually trying to undo my bra, there are too many incidents to list.

As a writer, I use all of it to make my fiction come alive.

In Running Away, Peg marries the wrong guy. He molests her daughter Maggie, who runs away because she’s sure no one will believe her. She’s right. Her mother’s first reaction is denial. Why? Because the predator skillfully manipulated each of them to damage their formerly strong bond. Fortunately for Maggie, her mom’s denial doesn’t last long.

When Peg’s telling a co-worker how she wants to drop everything and go look for Maggie herself, she tells him she ran away at the same age and “My parents thought I was dead for ten years.” The novel is as much about the mother as the daughter. Peg’s been running away from her past all her life.

I didn’t convey that clearly to agents or editors, so I ended up self-publishing. When I sold the screenplay, I never got to talk with the director and with the addition of a few short scenes, he changed the mom’s backstory and made the villain obviously evil. While most of the script is still mine and Running Away is a good Lifetime movie, someday I hope to see it redone with my characters and the theme as intended.

Meanwhile, readers asked for Peg’s story and I’ve finally finished it. It starts while she’s an innocent teen, but it’s her “Me Too” story and the long way back to liking herself enough to be comfortable with all of her past.

Keep an eye out for it: Peg’s Story: Detours.

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