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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • May 31, 2018
  • 2 min read

Updated: Dec 13, 2020

It’s possible I’ll be asked to do a few more tweaks, but the screenplay I contracted to complete has gone through two major revisions and they seem to be happy with it at this point. It was fun developing someone else’s idea. I really liked my first draft. It had this third wheel character that offered some comic relief in a tense TV movie. But they wanted him combined with the romantic lead, so I had to toss him.

Once I put aside my attachment to the character and looked at it as a challenge, I figured out a way to move a bit of the humor to the romantic lead. Of course, the script will change again once it goes into production, but that’s the way screenwriting works. I just read a lengthy interview with Terry Rossio that addresses that reality.

At the end of this major project, my brain’s functioning like oatmeal – nutritional, good content, but thick and sticky. Ideas pour slowly in globs.

Oatmeal brain: the writer’s version of post-race blues. It’s time to reboot.

To start, I took a look at my 2018 Goals and the steps I planned to meet them. If you’ve been following this blog, you realize I write all this stuff out at the beginning of the year and post it where it’s easy to access. My writing goal for 2018 is to make at least $10,000 writing. I came up with three objectives to help me meet this goal. The activities for my first objective revolve around getting Peg’s Story: One Woman’s Journey to Reclaim Herself polished, promoted, and published. The second objective’s about continuing to create new material and the third is about doing workshops on self-publishing.

Well, the screenplay wasn’t on my radar and, as long as they produce it this summer as planned, I’ll have met my goal without completing any of the written objectives.

I also have an author client I’m helping in multiple areas, which is adding to my income. And I’m doing volunteer work on promo for Who Will Remember. None of that was written into the plan either. I’ll keep devoting a few hours a week to these activities.

However, going back to the plan, I want to get that book out, I want to continue creating new material because that’s energizing, and I have three workshops scheduled – the first one at the end of June! My class is listed on page 6 of the catalog.

Fortunately, much of the preparation for the workshops overlaps with research I need to do to launch the book, so that research is the next primary focus. Writing new material will be my fun time.

I was surprised to see my personal (non-writing) goals are doing okay. I’ve completed activities under almost every objective. That’s pretty amazing. It felt like I was getting completely absorbed by my writing activities, until I looked at things in black and white. In reality, I’ve done a lot with family this year already, including some short trips.

Life is good.

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Updated: Dec 13, 2020


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There’s a long tradition in literature of having a tomboy juxtaposed with a feminine girl. In the late 1800’s there was a series for little girls about Ruby and Ruth, where Ruby was the one getting into trouble all the time and Ruth was the good girl doing her needlepoint. By then, Louisa May Alcott had written Little Women, with Jo the tomboy and Beth the good girl. Trixie Belden was a tomboy but her best friend was the girly-girl.


There are also books with a strong female protagonist without much of a feminine girl as a foil, but usually those strong females are surrounded by males or thrust into a formerly male role. In To Kill a Mockingbird, Scout is all tomboy and her father’s fine with that. Calpurnia tries to civilize her a bit, but with little luck. In The Hunger Games, Katniss has been thrust into her father’s role as provider and protector.


One of my favorite non-fiction books is Cheaper by the Dozen, published in 1949. It is based on the real Gilbreth family – written by two of the twelve. Per the Foreword: “Mother and Dad, Lillian Moller Gilbreth and Frank Bunker Gilbreth, were industrial engineers. They were among the first in the scientific management field and the very first in motion study. From 1910 to 1924, their firm of Gilbreth, Inc. was employed as ‘efficiency expert’ by many of the major industrial plants in the United States, Britain, and Germany. Dad died in 1924. After that, Mother carried the load by herself and became perhaps the foremost woman industrial engineer.”


Their efficiency methods carried over into their parenting by necessity – with twelve children to manage and two parents working. Surrounded by adults as a child, I was always enamored by the idea of being part of a large family, but the concept of conserving time and energy through efficient habits is what really stayed with me from the book… and subliminally, the understanding there were no restrictions on what I might become.


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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • May 17, 2018
  • 2 min read

Updated: Dec 13, 2020

Someone recently asked me what three or four films defined my life – took it new directions, made a lasting impact, that sort of thing. Being a movie junkie, my first thought was that it would be impossible to narrow it down that far. However, in the next moment, three films came to mind. These films changed the course of my life, each in its own way:

AroundTheWorldIn80Days

Around the World in Eighty Days (the 1956 version with David Niven) – This is the first film I remember seeing at the theater – The Grand – and it began my lifelong love of movies. The heavy red velvet curtains framed the enormous screen and up on the walls were traditional theater comedy and tragedy masks. The music swept me away from the opening moment and carried me on down the sidewalk to Tony the Greek’s, where we went for ice cream after the show.

The Grand sent out a calendar each month with which movies would show which days. It was a one-screen theater on the corner of routes 20 and 17 in Westfield, N.Y. Eventually it was torn down, and Tony the Greek’s is long gone as well – but those memories are still strong, as is my love of movies and the movie theater experience.

bad

The Bad Seed - the original black and white - was probably the first frightening movie I saw, and I can still visualize some moments.



HighPlainsDrifter

High Plains Drifter (Clint Eastwood’s second feature film as director, 1973) changed the way I look at films. I’d never heard of Fellini or any other European filmmaker, but I came away babbling about the visual effects and realistic characters – and went back to the theater two more times to watch for details. That awakening led to my repeatedly participating in film appreciation classes at College of Marin – watching and discussing key films. (They showed different ones each semester).

So that’s the three that popped into mind immediately as shaping my life. And then there’s a fourth – which should have been obvious. Working on an early version of the script earned me my first paycheck as a writer and got me started on my current path.

EyeOfTheDolphin

Eye of the Dolphin ended up being written primarily by Wendell Morris, who had a solid record writing for television whereas I had no screenwriting credits and no major publishing credits. Since most of what I wrote ended up discarded when they got enough funding to change the setting of the film, I got a creative consultant credit rather than one as a writer – but it got me started on IMDb. And I still have a photocopy of that first check on my inspiration board.


What films have had a lasting effect on your life?


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