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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Feb 15, 2018
  • 2 min read

Updated: Dec 14, 2020

My next novel, which will come out later this year, is Peg’s Story: In Search of Self. It’s the story of the mother in my first novel, Running Away. After that book came out, I wrote and sold the screenplay – the selling part took a few years. You may have seen the movie Running Away on Lifetime, and it’s been pirated to YouTube as well.

If you’ve read the book and watched the movie, you know that the movie did a great job with the suspense line but the backstory for the characters is different. That also means the dynamics between characters and the focus of the story changed.

The cover of the book and poster of the movie show the difference:

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The novel is about the relationship between mother and daughter and how a subtle predator manipulates both of them to the point where Maggie (the daughter) ends up running away. The emphasis is on the mother-daughter bond – that’s why the hands are reaching for each other on the novel’s cover. My original script stuck with that emphasis, as did the re-writes I did to make it more affordable to shoot.

I’m still the only screenwriter on the credits, however the director added short scenes, including some up front to establish the stepfather as a bad guy quickly. The filmmakers explained that was essential to hold the audience. With several short scenes, the director also added a story line making the stepfather evil beyond what he does to Maggie. As in the movie poster, he becomes the focal point.

Film is a collaborative medium and the final measure is always: Does it work?

  1. Whenever someone tells me they’ve seen the movie, their comments center on the creepy stepfather – no one talks about the girl or her mother. My central theme didn’t survive, but the film does grab people and hold their attention.

  2. I sold the script to a production company with a track record for producing and marketing films to television and computer movie markets. They sold the film successfully to French-speaking European television and then Lifetime. They knew their market.

So yeah, the film works. I got paid, got my credits at the beginning and end, and it’s added to my IMDb page. I’m happy.

Next week I’ll take a closer look at the film and how it compares to my screenplay.

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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Jan 4, 2018
  • 2 min read

Updated: Dec 14, 2020

People always ask if the stories I write are about me. No, their stories are not mine.

But, yeah, #Me Too.

My fictional characters have more dramatic experiences than me, but Me Too. I was drugged and “taken advantage of” (as we mistakenly called it back then) in my dorm room. I’ve worked in what they now call a hostile work environment more than once. Actually, if you include annoying garbage like the boy behind me in Spanish continually trying to undo my bra, there are too many incidents to list.

As a writer, I use all of it to make my fiction come alive.

In Running Away, Peg marries the wrong guy. He molests her daughter Maggie, who runs away because she’s sure no one will believe her. She’s right. Her mother’s first reaction is denial. Why? Because the predator skillfully manipulated each of them to damage their formerly strong bond. Fortunately for Maggie, her mom’s denial doesn’t last long.

When Peg’s telling a co-worker how she wants to drop everything and go look for Maggie herself, she tells him she ran away at the same age and “My parents thought I was dead for ten years.” The novel is as much about the mother as the daughter. Peg’s been running away from her past all her life.

I didn’t convey that clearly to agents or editors, so I ended up self-publishing. When I sold the screenplay, I never got to talk with the director and with the addition of a few short scenes, he changed the mom’s backstory and made the villain obviously evil. While most of the script is still mine and Running Away is a good Lifetime movie, someday I hope to see it redone with my characters and the theme as intended.

Meanwhile, readers asked for Peg’s story and I’ve finally finished it. It starts while she’s an innocent teen, but it’s her “Me Too” story and the long way back to liking herself enough to be comfortable with all of her past.

Keep an eye out for it: Peg’s Story: Detours.

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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Aug 17, 2017
  • 3 min read

Updated: Dec 13, 2020

I had this writer’s blog, Never Pay to Publish, ready to post today. For anyone following this for writing tips, it’s below.

But sometimes life happens.

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Katie has always been a risk taker – when she was twelve, she bought two tickets to whitewater the Colorado River for my birthday. She knew it was the only way she’d get to go. That’s her grinning. I’m under the wave, still in the boat.

After college, she surfed the beach off San Francisco alone – worried me sick. When she and her husband first met, they surfed the Pacific beaches all the way to Panama. She has a little scar where coral ripped open her lip in Costa Rica. Now she lives in far northern California where she can teach safe kayaking and surf year round – with a wet suit.

She’s gotten old enough to call people in their late teens and twenties “kids” and when she and her husband saw the surf near home was big and rough this morning, they decided to go north to a different beach. On the way home, they stopped on the cliff overlooking the beach they’d decided was too rough to surf – they always take time to enjoy life like that. What they saw was three “kids” on boogie boards in an area they NEVER surf because of the rip tides, two boys and a girl in their late teens or twenties. They saw the white of the boys’ backs and realized they had no wet suits. Even in August, the water up there is icy cold. The “kids” were caught in a rip.

Katie and her husband drove down to the beach, where the kids’ friends were finally calling 911 – they’d already been in the water at least 45 minutes. Katie and her husband got their boards and headed out, through the waves they’d chosen not to surf, out into the rip they’d never go near.

When they got to the kids, Eric took charge of the two who still had some strength to help them back to safety. Katie took the boy who was sinking into hypothermia.

At first she tried to tow him to shore, but he was too weak to hold onto the board. So she pulled him onto it, got on top of him, and paddled the best she could.

Once they got back to the break, they still had to ride the waves into shore – the waves that were big enough Katie and her husband hadn’t surfed that beach earlier. The other two were still strong enough to ride in on their own and walk out of the water. Katie’s kid couldn’t hold onto the board. She had to ride in on top of him.

They made it most of the way before they got dumped and she lost him. But by then, the fire and rescue crews were on the beach, ready to help, and they got her kid to shore and onto a stretcher for the ride to the hospital.

The helicopter that would have looked for them at sea was still at least 15 minutes away.

Today, my daughter called me from under a tree, where she’s sitting, still shaken up by the whole episode. She didn’t want me to find out by reading about it somewhere. But there were no news cameras, so it may never be noticed by media. She found out the kid she helped warmed up and was released from the hospital.

I’m still tearful. My daughter saved that kid’s life by risking her own. I’m terribly proud of her – both her actions and her need to sit under a tree and absorb it all today.

20170817Never Pay to Publish
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Update 12/13/2020:

Katie and Eric now do water tours in North Carolina and Puerto Rico as Greenflash Watersports. You'll be safe with them!

Also, the self-publishing industry changes so much so quickly, I discontinued Self-Publishing for Schools and decided against writing any others. Carla King is on her Fourth Edition of Self-Publishing Boot Camp Guide for Independent Authors. I recommend it.


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