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  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Nov 8, 2018
  • 7 min read

Updated: Dec 14, 2020

Novel Bites is a series of short stories from the perspective of secondary characters in my novels. This is a scene from Running Away, told from a different perspective.


CJ

You didn’t come home last night.”

Uncle Joe’s  not angry and he’s not specifically asking where I spent the night. After all, I’m eighteen. But it’s clear he’d like to know. He figured out I smoke weed long ago – the smell clings to you – but I don’t do that much and never before work, and he doesn’t bug me about it. So I don’t mind answering him now.

“I drove a friend to the grocery store and by the time we got done, you would already have been in bed. I didn’t want to wake you up with a text.”

“Don’t worry about that. I turn off the sound at night, but we’d have seen it in the morning. Your aunt was worried. Send her one now.”

I nod and pull out my phone to do it right away.

My dad died when I was ten and when my mother married six years later, Uncle Joe and Aunt Maria said they’d be happy to have me come live with them to finish high school. They knew I’d never liked the guy. And I’d already been spending my summers with them anyway, helping in the restaurant. It reminded me of when Dad was alive. I was so mad when Mom sold his place. It was supposed to be mine when I grew up.

Now I realize maybe she felt like she’d always been in competition with Dad’s restaurant. She certainly hadn’t ever loved it the way he did, even though she was right there by his side working with him. Selling it was the right thing for Mom. She was happier working for someone else instead of struggling to make a profit every month.

Aunt Maria texts me back right away, so I know she was waiting to hear from me. Next time I’ll make sure to let them know ahead of time.

Maybe I should plan on staying at Charlie’s again tonight. I already used my extra work clothes today, but I could run home on my dinner break to get more.

It’s not safe for Maggie at that house. And it was nice waking up next to her. But we might end up having sex if I come back tonight, and she’s not ready for that. I don’t want to be that guy. She’s messed up enough by what her step-father did to her. Not to mention she’s jail bait, though she doesn’t seem that much younger than me.

She’ll probably be okay. Charlie’s got Crystal, he won’t hit on Maggie.

Besides, I’m really pissed with Charlie about last night. Uncle Joe would give me the boot for that, even if I was just the driver and didn’t shoplift anything myself.

No, I don’t need to go back to that house.

***

It’s been busy all day, easy not to think about Maggie or worry about her being alone in Charlie’s house. She’s just a kid, fifteen today, all alone because her mother married the wrong guy. At least my step-father wasn’t like that.

Then I see her standing outside, looking at the stained glass hangings I did for Uncle Joe.

Before she can leave, I step outside. “Maggie, how’d you find me?”

“I was just looking for someplace to eat.”

But she looks stressed out and she has that huge backpack with all her stuff.  I nod at it. “You find another place to stay?” I hope Charlie didn’t try anything.

She looks past me, over to the side, avoiding my eyes. “I’m going to check out some other parts of the country.”

Shit, he must have done something. If she stays, maybe she’ll talk to me. I’ll kill him. At least beat the crap out of him. But I’ve got to sound cool so I don’t scare her off. “So I might not see you again. Come on in. I’ll buy you dinner.”

She smiles, so I lead her inside. It’s packed, but there’s a table in the corner open. She’ll be more comfortable there. I help her take the pack off and set it against the wall.

“This is Aji’s section. He’ll be right with you. Order anything on the menu.”

I know this will be okay with Uncle Joe. He helps out people all the time. He has me in charge of the coffeehouse side of the place, while he manages the restaurant. It’s the same kitchen and same menu of Greek food, but the ambiance on my side’s less formal.

Once I assure her that I’m paying for her dinner, Maggie relaxes some. I make her promise to talk to me before she leaves, then get back to work. But I keep an eye on her. She wolfs down the lemon-flavored soup that’s one of our specialties, but when Aji takes her a lemonade and gyro, she just looks at it. I stop by the table to ask if everything’s okay.

“Great. I probably won’t be able to finish it all.”

“Good.” I was going to sit down and see if she’d talk more, but there’s a customer up front waiting to pay. As I start to leave, she calls me back.

“This is weird, but I’ve gotta ask, is your uncle’s name Joe?”

I told her all about the restaurant and living with my aunt and uncle last night. But I want to know how she guessed his name.

“I think my mom met him a long time ago. When she was my age.”

So that’s why she came to Harrisburg – her mother must have been here. We get runaways, but winters are cold and rainy. It’s not a great place to be on the street.

And Joe’s always helped people. So I say I’ll go get him. She backs off, saying he probably wouldn’t remember her mom, but I figure he might, and besides, the longer Maggie’s here, the longer she’s safe. Maybe Uncle Joe will have a way to help her.

When I’ve cashed out the customer on my side, I go over to the restaurant and ask Uncle Joe to talk with me a moment in the office, a tiny room off the kitchen where we do the bookkeeping.  He goes with me right away.

“Is it about last night?” he asks.

“Kind of. There’s a girl. She’s run away because her step-father raped her, but she probably wouldn’t want me to tell you that. I stayed with her last night. It’s not a good place for an innocent kid. I’ve been trying to figure out how to help her all day, then she showed up and I bought her dinner. She says she’s going to move on, but anyplace she finds . . . ”

“How can I help?”

“She thinks you may have helped her mother, way back. Maybe . . . I don’t know.”

He says he’ll come over to meet Maggie as soon as he’s taken care of a few people ready to pay and leave. I take her a piece of baklava with a single birthday candle on top. Her smile warms me to the core.

“Thanks,” she says, “and thanks for not singing.”

I tell her Uncle Joe wants to meet her and ask what she did for her birthday. Her face tenses a moment, then she claims she just spent the day reading her mother’s journal, the one that told her about Joe and Harrisburg.

There’s something else though. I know something bad has happened.

Then Aji brings her a refill on her lemonade and she passes him her dirty dishes. She drops a fork on the floor and bends down to get it. As she sits up, she turns so she’s facing me and hands the fork to Aji without looking at him. Her eyes are glazed in terror.

Once he’s gone, she squeaks out, “How well do you know Aji?”

Aji’s worked for us for about six months and has always seemed like a good guy. He’s the one who introduced me to Charlie. But her question has me ready to pound him for hurting her, if that’s what he did. But it’s not. Not exactly.

“He robbed Charlie today.” I can barely hear her as she explains how two of them came in with guns, wearing ski masks, and stole Charlie’s stash of drugs and weapons.

She recognized Aji’s shoes. When Joe told him our wait staff all wear black shoes, Aji painted his Nikes black and swapped to skinny dress laces for them. Charlie recognized them, too, and he’s looking for Aji. What’s worse is Matt is with him. I met that guy once and he scared the shit out of me, and we were just sharing a joint. Matt was there to sell her ID. When she left the house, they were going to hunt the robbers down. If they know Aji works here. . .

Suddenly Uncle Joe’s at the table, pulling over a chair and asking Maggie about her mother, how she knew him.

“You just gave her a motorcycle ride one afternoon.”

My mind’s spinning, trying to think how to avoid having a shootout here while they chat back and forth. He remembers her mother, though. It was the year of Agnes, the storm everything’s still measured by here. He was on his way to see my dad up in Canada. Grandpa never really forgave my dad for dodging the draft.

Joe says Maggie has her mother’s eyes. Her mother must have been important somehow, because he and Maria looked for her when they were coming to visit us. So he didn’t know her here, didn’t know Maggie’s mom ever came to Harrisburg.

Joe gets up to leave and shakes Maggie’s hand. “Good luck, and give your mother our best. Tell her to stop in if she’s ever in town. Maria will be sorry she missed you, but she’s in Greece a few more days, visiting family. Nice meeting you, Maggie.”

Once he’s gone, she asks me what I’m going to do about Aji.

“I’ll tell him Charlie’s after him. If you’re right, Aji will leave right away and we won’t see him again.” I hope that’ll work. I’ll have to figure out what I’m going to say when Charlie shows up.

I wrap up her baklava and walk her out.

She’s right to be leaving town. Charlie’d probably be chill with her having been there when he was robbed, but Matt is one scary dude. I try to talk Maggie into calling her mom. If her mom ran away, too, she’d probably understand. But the creep of a step-father has Maggie convinced her mother will blame her for everything and hate her.

I give her a quick hug, hoping she’ll be okay.

Aji takes off like I figured he would and when Charlie shows up with Matt, I pretend I’m ticked at the guy for leaving us short-handed with no notice.

I finish with, “He didn’t even wait for his last check.”

The look Matt sends Charlie chills my blood. I shouldn’t have said that.

I hope Aji doesn’t come back for his money now.

I hope Maggie’s ride already has her clear of this town.

Please comment. Thanks.

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Mar 15, 2018
  • 2 min read

Updated: Dec 14, 2020

I believe all writing is good practice for a writer.

While my kids were growing up, I put aside “being a writer” for day jobs. However, many of those day jobs involved writing. For example, I’ve written stacks of court reports. Did that build any skills for my fiction writing? Absolutely.

  1. I had to interview people and present their position accurately – to do that I listened carefully and checked for understanding. Even the few villains I encountered had what they believed were good reasons for their actions. So I avoid cardboard characters in my fiction. I know each of my characters from the inside out. Each has a distinct voice.

  2. I had to pay attention to details. Small details, buried amidst non-essential information, often clarified an issue or sequence of events. The same holds true in fiction – the details often decide the course of events.

  3. I had to take the facts I’d gathered and present them in a logical order that helped the judge make sense of the situation – which was often quite complicated. The same skill is necessary in fiction. If you confuse the reader by putting a conclusion before the facts that lead to it, you will probably lose them altogether.

  4. I couldn’t include every single piece of information I collected. I had to decide which facts were necessary and which were superfluous. When writing fiction, I always know more backstory than my readers – they’d be bored if I included all of it. I have to choose what they need to know when. It’s the same skill, repurposed.

  5. I also had to decide when to quote an interviewed person directly and when to paraphrase. When writing fiction, I need to decide where to describe interactions and where to use dialogue. The elements that make each effective are remarkably similar whether a court report or a novel.

What about jobs that don’t involve much writing? It’s all experience. Most writers have had a series of jobs before they start making a living (or at least part of one) writing.

If you find a complete job history of an author and then read all of that author’s work, you will probably find characters and settings that use non-writing jobs.

Sheri McGuinn at Gold Country Writers Six-Author Event! Official release.

Event date: Sunday, March 25, 2018 – 1:00pm to 4:00pm Event address: FACE IN A BOOK, 4359 Town Center Blvd #113, El Dorado Hills, CA 95762

  • Writer: Sheri McGuinn
    Sheri McGuinn
  • Nov 30, 2017
  • 3 min read

Updated: Dec 15, 2020


It did not win in either category, but I requested feedback from the judges involved and it arrived today. They each give a numerical score of 0-5 in five areas: Structure, Organization, and Pacing; Spelling, Punctuation, and Grammar; Production Quality and Cover Design; Plot and Story Appeal; Character Appeal and Development; and Voice and Writing Style. They also provided a brief written commentary.

I opened the email with the mainstream category judge’s commentary first. My best numerical score was for Spelling, Punctuation, and Grammar, and that was a four. Plot and Story Appeal got a two. The rest were twos and threes. The commentary was negative all the way – I definitely will not be sharing any part of it.

Then I opened the email with the inspirational category judge’s commentary. Everything got five’s – a perfect score – and the commentary ended with “one of the most interesting and useful novels I’ve seen.” I immediately posted the full commentary in the author comments on the book at Amazon.

Now both of these judges were presumably working with the same instructions for scoring – probably a rubric of some kind. I think the key is in the Plot and Story Appeal. The first judge gave that a two, the second a five. The first probably did not enjoy any of the process and got it done as quickly as possible; the second obviously enjoyed the book thoroughly and may not have looked at the technical aspects as critically as a neutral party. While I like the perfect score, I need to keep that in mind when my head starts swelling.

The bottom line is, no book appeals to every reader, including judges and reviewers, and most contests will have a single person doing the first screening read.

So what should you do when you get a negative review or commentary? Munch on a piece of chocolate and look at the details and decide if any criticism is justified. If you can’t make changes to this book, use the criticism to improve the next. When I entered Michael Dolan McCarthy in the Amazon Breakout Novel Awards, I got a full reading of the manuscript by Publisher’s Weekly and that reviewer pointed out my strengths as a writer and places the novel was weak. I hadn’t published yet, so after the initial cringe, I went back and fixed the problem areas. I quote the positives. Alice is already published, but if I write something similar, I’ll revisit both of these commentaries.

There’s sometimes a delay updating info at Amazon, so here’s the full positive review:

Judge’s Commentary 25th Annual Writer’s Digest Self-Published Book Awards

“ALICE by Sheri McGuinn is a wonderful short novel that’s an easy read. Yet it contains deep threads along with an important mission. Using the power of fiction, the novelist encourages readers to do something for the community — that is, using abandoned buildings to house the homeless. This is a worthy idea that I hope many will be inspired to adopt. Although it’s been awhile since I had major contact with teenagers, I believe the author captures the voice of a thirteen-year-old very well. The narrator has a sense of wisdom, awe, and inexperience that marks many in that age bracket. Baby Girl is a storyteller I enjoyed spending time with, and I think others will, too. The bright yellow book cover captures the attention right away. The flowers are whimsical, and remind me of the hippie era, which is of course ideal for this book. The back cover design is also whimsical, and lets the reader know what to expect. I would have liked to see an author bio here. The resources listed inside, along with promos for the next book and the self-publishing guide are all practical and helpful. Overall, one of the most interesting and useful novels I’ve seen.”

Contact

smcguinn@sherimcguinn.com

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